Adventures While Preaching the Gospel of Beauty — Background and Themes

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Lindsay, Vachel, 1879-1931 Project Gutenberg 2013 Not confirmed
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Words 31,356
Reading time 137 min
Text sections 4

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Vachel Lindsay's 1914 account of a walking journey from Illinois through Kansas and into New Mexico, structured as a series of episodes that blend travelogue, labor narrative, and poetic proclamation, with recurring attention to costume, sunburn, and the rhythms of harvest work.
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There was scarcely space in that little shed for the engine, and it was sticking out in several places. Yet it dawned on me that this was the wife of my host, that they kept house with that engine for the principal article of furniture. Without a word of introduction or explanation she stood behind me and mumbled, "You need your supper, son. Come in."

There was actually a side-room in that little box, a side room with a cot and a cupboard as well. On the floor was what was once a rug. But it had had a long kitchen history. She dipped a little unwashed bowl into a larger unwashed bowl, with an unwashed thumb doing its whole duty. She handed me a fuzzy, unwashed spoon and said with a note of real kindness, "Eat your supper, young man." She patted me on the shoulder with a sticky hand. Then she stood, looking at me fixedly. The woman had only half her wits.

I suppose they kept that stew till it was used up, and then made another. I was a Child of Destiny, all right, and Destiny decreed I should eat. I sat there trying to think of things to say to make agreeable conversation, and postpone the inevitable. Finally I told her I wanted to be a little boy once more, and take my bowl and eat on the log by the pond in the presence of Nature.

She maintained that genial silence which indicates a motherly sympathy. I left her smoking and smiling there. And like a little child that knows not the folly of waste, I slyly fed my supper to the ducks.

At bedtime the old gentleman slept in his clothes on the cot in the kitchenette. He had the dog for a foot-warmer. There was a jar of yeast under the table. Every so often the old gentleman would call for the old lady to come and drive the ducks out, or they would get the board off the jar. Ever and anon the ducks had a taste before the avenger arrived.

On one side of the engine the old lady had piled gunny-sacks for my bed. That softened the cement-floor foundation. Then she insisted on adding that elegant rug from the kitchen, to protect me from the fuzz on the sacks. She herself slept on a pile of excelsior with a bit of canvas atop. She kept a cat just by her cheek to keep her warm, and I have no doubt the pretty brute whispered things in her ear. Tabby was the one aristocratic, magical touch:--one of these golden coon-cats.

The old lady's bed was on the floor, just around the corner from me, on the other side of the engine. That engine stretched its vast bulk between us. It was as the sword between the duke and the queen in the fairy story. But every so often, in response to the old gentleman's alarm, the queen would come climbing over my feet in order to get to the kitchen and drive out the ducks. From where I lay I could see through two doors to the night outside. I could watch the stealthy approach of the white and waddling marauders. Do not tell me a duck has no sense of humor. It was a great game of tag to them. It occurred as regularly as the half hours were reached. I could time the whole process by the ticking in my soul, while presumably asleep. And while waiting for them to come up I could see the pond and a star reflected in the pond, the star of my Destiny, no doubt. At last it began to rain. Despite considerations of fresh air, the door was shut, and soon everybody was asleep.

The bed was not verminiferous. I dislike all jokes on such a theme, but in this case the issue must be met. It is the one thing the tramp wants to know about his bunk. That peril avoided, there is nothing to quarrel about. Despite all the grotesquerie of that night, I am grateful for a roof, and two gentle friends.

Poor things! Just like all the citizens of the twentieth century, petting and grooming machinery three times as smart as they are themselves. Such people should have engines to take care of them, instead of taking care of engines. There stood the sleek brute in its stall, absorbing all, giving nothing, pumping supplies only for its own caste;--water to be fed to other engines.

But seldom are keepers of engine-stables as unfortunate as these. The best they can get from the world is cruel laughter. Yet this woman, crippled in brain, her soul only half alive, this dull man, crippled in body, had God's gift of the liberal heart. If they are supremely absurd, so are all of us. We must include ourselves in the farce. These two, tottering through the dimness and vexation of our queer world, were willing the stranger should lean upon them. I say they had the good gift of the liberal heart. One thing was theirs to divide. That was a roof. They gave me my third and they helped me to hide from the rain. In the name of St. Francis I laid me down. May that saint of all saints be with them, and with all the gentle and innocent and weary and broken!

UPON RETURNING TO THE COUNTRY ROAD

_Even the shrewd and bitter, Gnarled by the old world's greed, Cherished the stranger softly Seeing his utter need. Shelter and patient hearing, These were their gifts to him, To the minstrel chanting, begging, As the sunset-fire grew dim. The rich said "You are welcome."_

_Yea, even the rich were good. How strange that in their feasting His songs were understood! The doors of the poor were open, The poor who had wandered too, Who had slept with ne'er a roof-tree Under the wind and dew. The minds of the poor were open, There dark mistrust was dead. They loved his wizard stories, They bought his rhymes with bread._

_Those were his days of glory, Of faith in his fellow-men. Therefore, to-day the singer Turns beggar once again._

_Walking Through Missouri_

TUESDAY MORNING, JUNE 4, 1912. In a hotel bedroom in Laddonia, Missouri. I occupy this room without charge.

Through the mercy of the gateman I crossed the Hannibal toll-bridge without paying fare, and the more enjoyed the pearly Mississippi in the evening twilight. Walking south of Hannibal next morning, Sunday, I was irresistibly reminded of Kentucky. It was the first real "pike" of my journey,--solid gravel, and everyone was exercising his racing pony in his racing cart, and giving me a ride down lovely avenues of trees. Here, as in dozens of other interesting "lifts" in Illinois, I had the driver's complete attention, recited _The Gospel of Beauty_ through a series of my more didactic rhymes till I was tired, and presented the _Village Improvement Parade_ and the _Rhymes to Be Traded for Bread_ and exhorted the comradely driver to forget me never. One colored horseman hitched forward on the plank of his breaking-cart and gave me his seat. Then came quite a ride into New London. He asked, "So you goin' to walk west to the mountains and all around?" "Yes, if this colt don't break my neck, or I don't lose my nerve or get bitten by a dog or anything." "Will you walk back?" "Maybe so, maybe not." He pondered a while, then said, with the Bert Williams manner, "_You'll ride back. Mark my words, you'll ride back!_"

He asked a little later, "Goin' to harves' in Kansas?" I assured him I was not going to harvest in Kansas. He rolled his big white eyes at me: "What in the name of Uncle Hillbilly _air_ you up to then?"

In this case I could not present my tracts, for I was holding on to him for dear life. Just then he turned off my road. Getting out of the cart I nearly hung myself; and the colt was away again before I could say "Thank you."

Yesterday I passed through what was mostly a flat prairie country, abounding in the Missouri mule. I met one man on horseback driving before him an enormous specimen tied head to head with a draught-horse. The mule was continually dragging his good-natured comrade into the ditch and being jerked out again. The mule is a perpetual inquisitor and experimenter. He followed me along the fence with the alertest curiosity, when he was inside the field, yet meeting me in the road, he often showed deadly terror. If he was a mule colt, following his mare mamma along the pike, I had to stand in the side lane or hide behind a tree till he went by, or else he would turn and run as if the very devil were after him. Then the farmer on the mare would have to pursue him a considerable distance, and drive him back with cuss words. 'Tis sweet to stir up so much emotion, even in the breast of an animal.

What do you suppose happened in New London? I approached what I thought a tiny Baptist chapel of whitewashed stone. Noting it was about sermon-time, and feeling like repenting, I walked in. Behold, the most harmoniously-colored Catholic shrine in the world! The sermon was being preached by the most gorgeously robed priest one could well conceive. The father went on to show how a vision of the Christ-child had appeared on the altar of a lax congregation in Spain. From that time those people, stricken with reverence and godly fear, put that church into repair, and the community became a true servant of the Lord. Infidels were converted, heretics were confounded.

After the sermon came the climax of the mass, and from the choir loft above my head came the most passionate religious singing I ever heard in my life. The excellence of the whole worship, even to the preaching of visions, was a beautiful surprise.

People do not open their eyes enough, neither their spiritual nor their physical eyes. They are not sensitive enough to loveliness either visible or by the pathway of visions. I wish every church in the world could see the Christ-child on the altar, every Methodist and Baptist as well as every Catholic congregation.

With these thoughts I sat and listened while that woman soloist sang not only through the Mass, but the Benediction of the Blessed Sacrament as well. The whole surprise stands out like a blazing star in my memory.

I say we do not see enough visions. I wish that, going out of the church door at noon, every worshipper in America could spiritually discern the Good St. Francis come down to our earth and singing of the Sun. I wish that saint would return. I wish he would preach voluntary poverty to all the middle-class and wealthy folk of this land, with the power that once shook Europe.

FRIDAY, JUNE 7, 1912. In the mid-afternoon in the woods, many miles west of Jefferson City. I am sitting by a wild rose bush. I am looking down a long sunlit vista of trees.

Wednesday evening, three miles from Fulton, Missouri, I encountered a terrific storm. I tried one farm-house just before the rain came down, but they would not let me in, not even into the barn. They said it was "not convenient." They said there was another place a little piece ahead, anyway. Pretty soon I was considerably rained upon. But the "other place" did not appear. Later the thunder and lightning were frightful. It seemed to me everything was being struck all around me: because of the sheer downpour it became pitch dark. It seemed as though the very weight of the rain would beat me into the ground. Yet I felt that I needed the washing. The night before I enjoyed the kind of hospitality that makes one yearn for a bath.

At last I saw a light ahead. I walked through more cataracts and reached it. Then I knocked at the door. I entered what revealed itself to be a negro cabin. Mine host was Uncle Remus himself, only a person of more delicacy and dignity. He appeared to be well preserved, though he was eighteen years old when the war broke out. He owns forty acres and more than one mule. His house was sweet and clean, all metal surfaces polished, all wood-work scrubbed white, all linen fresh laundered. He urged me to dry at his oven. It was a long process, taking much fuel. He allowed me to eat supper and breakfast with him and his family, which honor I scarcely deserved. The old man said grace standing up. Then we sat down and he said another. The first was just family prayers. The second was thanksgiving for the meal. The table was so richly and delicately provided that within my heart I paraphrased the twenty-third Psalm, though I did not quote it out aloud: "Thou preparest a table before me in the presence of mine enemies"--(namely, the thunder and lightning, and the inhospitable white man!).

I hope to be rained on again if it brings me communion bread like that I ate with my black host. The conversation was about many things, but began religiously; how "_Ol' Master in the sky gave us everything here to take keer of, and said we mussent waste any of it_." The wife was a mixture of charming diffidence and eagerness in offering her opinion on these points of political economy and theology.

After supper the old gentleman told me a sweet-singing field-bird I described was called the "Rachel-Jane." He had five children grown and away from home and one sleek first voter still under his roof. The old gentleman asked the inevitable question: "Goin' west harvestin'?"

I said "No" again. Then I spread out and explained _The Village Improvement Parade_. This did not interest the family much, but they would never have done with asking me questions about Lincoln. And the fact that I came from Lincoln's home town was plainly my chief distinction in their eyes. The best bed was provided for me, and warm water in which to bathe, and I slept the sleep of the clean and regenerated in snowy linen. Next morning the sun shone, and I walked the muddy roads as cheerfully as though they were the paths of Heaven.

SUNDAY MORNING, JUNE 9, 1912. I am writing in the railroad station at Tipton, Missouri.

A little while back a few people began to ask me to work for my meals. I believe this is because the "genteel" appearance with which I started has become something else. My derby hat has been used for so many things,--to keep off a Noah's flood of rain, to catch cherries in, to fight bumblebees, to cover my face while asleep, and keep away the vague terrors of the night,--that it is still a hat, but not quite in the mode. My face is baked by the sun and my hands are fried and stewed. My trousers are creased not in one place, but all over. These things made me look more like a person who, in the words of the conventional world, "_ought to work_."

Having been requested to work once or twice, I immediately made it my custom to offer labor-power as a preliminary to the meal. I generally ask about five people before I find the one who happens to be in a meal-giving mood. This kindly person, about two-thirds of the time, refuses to let me work. I insist and insist, but he says, "Aw, come in and eat anyway." The man who accepts my offer of work may let me cut weeds, or hoe corn or potatoes, but he generally shows me the woodpile and the axe. Even then every thud of that inevitably dull instrument seems to go through him. After five minutes he thinks I have worked an hour, and he comes to the porch and shouts: "Come in and get your dinner."

Assuming a meal is worth thirty-five cents, I have never yet worked out the worth of one, at day-laborer's wages. Very often I am called into the house three times before I come. Whether I work or not, the meals are big and good. Perhaps there is a little closer attention to _The Gospel of Beauty_, after three unheeded calls to dinner.

After the kindling is split and the meal eaten and they lean back in their chairs, a-weary of their mirth, by one means or another I show them how I am knocking at the door of the world with a dream in my hand.

Because of the multitudes of tramps pouring west on the freight trains,--tramps I never see because I let freight cars alone,--night accommodations are not so easy to get as they were in my other walks in Pennsylvania and Georgia. I have not yet been forced to sleep under the stars, but each evening has been a scramble. There must be some better solution to this problem of a sleeping-place.

The country hotel, if there is one around, is sometimes willing to take in the man who flatly says he is broke. For instance, the inn-keeper's wife at Clarksburg was tenderly pitiful, yea, she was kind to me after the fashion of the holiest of the angels. There was a protracted meeting going on in the town. That was, perhaps, the reason for her exalted heart. But, whatever the reason, in this one case I was welcomed with such kindness and awe that I dared not lift up my haughty head or distribute my poems, or give tongue to my views, or let her suspect for a moment I was a special IDEA on legs. It was much lovelier to have her think I was utterly forlorn.

This morning when I said good-bye I fumbled my hat, mumbled my words and shuffled my feet, and may the Good St. Francis reward her.

When I asked the way to Tipton the farmer wanted me to walk the railroad. People cannot see "why the Sam Hill" anyone wants to walk the highway when the rails make a bee-line for the destination. This fellow was so anxious for the preservation of my feet he insisted it looked like rain. I finally agreed that, for the sake of avoiding a wetting, I had best hurry to Tipton by the ties. The six miles of railroad between Clarksburg and Tipton should be visited by every botanist in the United States. Skip the rest of this letter unless you are interested in a catalogue of flowers.

First comes the reed with the deep blue blossoms at the top that has bloomed by my path all the way from Springfield, Illinois. Then come enormous wild roses, showing every hue that friend of man ever displayed. Behold an army of white poppies join our march, then healthy legions of waving mustard. Our next recruits are tiny golden-hearted ragged kinsmen of the sunflower. No comrades depart from this triumphal march to Tipton. Once having joined us, they continue in our company. The mass of color grows deeper and more subtle each moment. Behold, regiments of pale lavender larkspur. 'Tis an excellent garden, the finer that it needs no tending. Though the rain has failed to come, I begin to be glad I am hobbling along over the vexatious ties. I forget my resolve to run for President.

Once I determined to be a candidate. I knew I would get the tramp-vote and the actor-vote. My platform was to be that railroad ties should be just close enough for men to walk on them in natural steps, neither mincing the stride nor widely stretching the legs.

Not yet have we reached Tipton. Behold a white flower, worthy of a better name, that the farmers call "sheep's tea." Behold purple larkspur joining the lavender larkspur. Behold that disreputable camp-follower the button-weed, wearing its shabby finery. Now a red delicate grass joins in, and a big purple and pink sort of an aster. Behold a pink and white sheep's tea. And look, there is a dwarf morning glory, the sweetest in the world. Here is a group of black-eyed Susans, marching like suffragettes to get the vote at Tipton. Here is a war-dance of Indian Paint. And here are bluebells.

"Goin' west harvestin'?"

"I have harvested already, ten thousand flowers an hour."

JUNE 10, 1912. 3 P.M. Three miles west of Sedalia, Missouri. In the woods. Near the automobile road to Kansas City.

Vachel Lindsay's Adventures While Preaching the Gospel of Beauty opens not with a manifesto but with a gypsy wagon encounter in southern Colorado, two months into his walk. The woman's question—'What you sellin', what you sellin', boy?'—frames the entire enterprise: Lindsay is a peddler of poems, a self-styled 'tramp' distributing one-page 'Gospels of Beauty' and booklets of Rhymes to Be Traded for Bread. The book's structure follows the geography of his route—Illinois, Missouri, Kansas, Colorado, New Mexico—but its real movement is between social roles: from respectable Springfield poet to sunburned showman, from solitary walker to harvest hand, from stranger to temporary insider. The narrative proceeds by vivid, self-contained episodes rather than continuous travelogue, each anchored in a specific encounter or task.

Costume as Transformation

Lindsay tracks his changing appearance with the precision of a stage manager. On June 1 he 'wore about the same costume I wear on the streets of Springfield' and was 'white as paper from two years of writing poetry indoors.' By August 1 he is 'sunburned a quarter of an inch deep,' wearing 'very yellow corduroys, a fancy sombrero and an oriflamme tie.' The gypsy woman mistakes him for a fellow showman; later, a Mennonite farmer lends him a slouch hat with a 'not-much-wider rim' because his derby is useless against the Kansas sun. These details are not incidental—they mark his passage from observer to participant. The borrowed hat becomes a running joke: 'Because of that not-much-wider rim my face is sunburned all over every day.' Costume, in this book, is a kind of earned identity, and Lindsay never lets the reader forget that his transformation is visible, material, and incomplete.

The Rhythm of Harvest

The Kansas harvest chapters are the book's physical core. Lindsay works alongside a Mennonite farmer and his son, stacking sheaves behind a reaper. The prose mimics the repetitive circuit of the field: 'Each time round the enormous field we stop at a break in the line of those untrimmed old thorn-trees. Here we rest a moment and drink from the water-jug.' The work is measured in small increments—learning to handle two sheaves at a time, then three. The Mennonite boy 'is always marching ahead and causing me to feel ashamed.' Lindsay's account of the heat is clinical: 'Perspiration cannot keep up with evaporation. Our skins are dry as the dryest stubble.' The episode of the swearing hens—a joke that falls flat with his sober companions—reveals the gap between Lindsay's literary sensibility and the farm's taciturn rhythms. He tells the story; the Mennonite driver says, 'We do not laugh at jokes about swearing,' and climbs back onto the reaper.

Encounters with Strangers

The book's structure depends on a series of brief, intense meetings: gypsies, farmers, a woman with supplies for harvesters, a man on a 'dancing pony.' Each encounter is a miniature scene with its own stage business. The gypsy wagons pass in a four-wagon procession, each repeating 'the same stage business' and 'identical language.' The old farmer who 'rides behind the new reaper' dismounts to test the grain, 'threshing it out in his hand,' then 'stands off, and is guilty of an æsthetic thrill.' Lindsay records these moments without editorializing; the reader infers the distance between his own motives and those of the people he meets. The Mennonite boy 'talks religion, or is silent'; Lindsay responds by singing 'all the hymn-tunes I can remember.' These are not conversations so much as parallel performances, each party acting out its own script in the other's presence.

The Body in the Landscape

Lindsay's body is a persistent subject: sunburn, sweat, the weight of the oil-cloth pack, the feel of water poured on his head 'to keep from getting sunstruck.' The landscape is registered through physical sensation—the 'boom, a rattle and a bang' of the gypsy wagon, the 'little streak of cool wind' that lets the harvesters resume work, the Kansas grasshopper that 'bites pieces out of the back of my shirt the shape and size of the ace of spades.' These details ground the book's more abstract ambitions—the 'Gospel of Beauty'—in tangible experience. Lindsay does not claim to have converted anyone to his aesthetic creed; instead, he shows himself being reshaped by the country he walks through. The book's final sections, which include 'proclamations' reprinted from Farm and Fireside, suggest that the journey's real product is not the poems he traded but the transformation of the poet himself.

Readers should approach Adventures While Preaching the Gospel of Beauty as a sequence of discrete scenes rather than a continuous narrative. Lindsay's method is episodic and associative; he moves between labor, anecdote, and proclamation without transition. The book rewards attention to its small, precise observations—the shape of a hat brim, the weight of a sheaf, the exact wording of a repeated question. These details, not the poet's stated mission, give the journey its texture and its unexpected gravity.

There’s a particular hush in Vachel Lindsay’s walking—sunburnt, harvest-stained—that I keep turning over. It made me think of another quiet endurance, the slow climb through rock and dust in The Diary of a Hunter from the Punjab to the Karakorum Mountains — Background and Themes. Both feel less like adventures and more like long, patient conversations with the land, one step at a time.

Isabella Robinson
3 weeks ago

Jack Lewis
2 weeks ago

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  • ...
    Dean May - 1 month ago
    {'review_type': 'negative', 'content': "I found this book to be overly idealistic and self-indulgent. Lindsay's relentless optimism and preaching tone become tedious after a few chapters. His ideas about bringing beauty to the masses seem naive and romanticized, and the vignettes lack depth. It may appeal to hardcore fans of Lindsay, but it's not a timeless classic."}

  • ...
    Alan Mark Martinez - 1 month ago
    {'review_type': 'neutral', 'content': "Lindsay's 'Adventures While Preaching the Gospel of Beauty' offers an interesting glimpse into early 20th-century American culture and the ideals of the Arts and Crafts movement. His enthusiasm is contagious, but the book lacks a strong narrative structure, jumping between anecdotes and philosophical musings. A solid read for fans of American literature."}

  • ...
    Cathy Lisa Yoder - 1 month ago
    {'review_type': 'positive', 'content': "This is a delightful collection of essays by Vachel Lindsay, celebrating the beauty in everyday American life. His passion for poetry and his belief in the power of art to transform communities shine through every page. It's an inspiring and heart-warming read that encourages you to look at the world with new eyes."}


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